Triple bill: Moord // Through their roots // Unseen
Language no problem // English below!
Cinzia Nistico, Larysa Bauge en Fani Konstantinidou presenteren een driedelige collectieve performance rond het thema Kwetsbaarheid. Hun performances bestaan uit geluid, beeld en lichaam en verkennen nieuwe manieren van samenwerken binnen hetzelfde onderwerp.
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Cinzia Nistico, Larysa Bauge and Fani Konstantinidou presents a three part collective performance on the theme of Vulnerability. Their stagings involve sound, vision and body, and explores new ways of collaborating within the same subject.
๐ ๐ผ๐ผ๐ฟ๐ฑ - ๐๐ถ๐ป๐๐ถ๐ฎ ๐ก๐ถ๐๐๐ถ๐ฐ๐ผ
Moord is an audiovisual performance that stretches the act of killing and explore it from the prospective of the victim and that of the perpetrator. The attention is to the inner void that precedes and accompanies the murder and the loss of integrity and identity experienced by the victim. The analog visual effects, similarly to the live-digital soundscape, wrap up and often to shadow the flutist and her sounds. Her very existence is questioned throughout the performance. The focus is on the murderer inner state and their self-perception posing question on the very reality of their existence and accentuate the victimโs vulnerability.
Music/electronics: Cinzia Nistico // Live visuals: Esther Urlus // Flutist: Klaasje Nieuwhof
๐ง๐ต๐ฟ๐ผ๐๐ด๐ต ๐๐ต๐ฒ๐ถ๐ฟ ๐ฟ๐ผ๐ผ๐๐ - ๐๐ฎ๐ฟ๐๐๐ฎ ๐๐ฎ๐๐ด๐ฒ
In this performance Bauge explores the topic of vulnerability through the notion of force feeding. "We are force-fed with the ideas of who we are, just like children are force fed with the food they hate". Primary physical material in this piece is the typical eastern european food - beetroots. "It is both a recurrent folkloric element and a symbol of heavy life of peasantry to which I was told I belong. It is also the food I hated and was force fed, earth-smelly and bloody-like."
๐จ๐ป๐๐ฒ๐ฒ๐ป - ๐๐ฎ๐ป๐ถ ๐๐ผ๐ป๐๐๐ฎ๐ป๐๐ถ๐ป๐ถ๐ฑ๐ผ๐
Unseen is an audiovisual performance - music composition inspired by W. Reichโs book Hey Little Man. The work aims at exploring the aspects of vulnerability from a political, cultural, and psychological perspective and explores the interrelation between sound and image. Sound recordings and images blend together with computer generated sonic material, creating a world of contrasts: real, imaginary, visible, invisible, seen, and unseen realities.